3. Applied Literature
Masoumeh Baei; Behzad Pourgharib; Abdolbaghi Rezaei Talarposhti
Abstract
The endeavor to establish reconciliation between the opposing demands of two cultural communities lies at the heart of some literary works associated with postcolonial literature. This theme, which is also central to the novels of Bharati Mukherjee, especially The Tree Bride, forms the plot of the novel ...
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The endeavor to establish reconciliation between the opposing demands of two cultural communities lies at the heart of some literary works associated with postcolonial literature. This theme, which is also central to the novels of Bharati Mukherjee, especially The Tree Bride, forms the plot of the novel and serves as an axis around which the characters are developed. The present article adopts the theories of Homi. K. Bhabha to expound upon the gap that distances the oriental and the occidental cultures from one another and renders fragmented the identity of the postcolonial individual. Bhabha’s notions of the uncanny and the hybrid identity are two central concepts that can serve as keys to explaining the postcolonial encounter. They can significantly contribute to the discussion of the novel as they can prepare the ground for the investigation of how anti-colonial resistance becomes possible through the third space that is created through hybridity and the uncanny. In The Tree Bride, the protagonist finds herself between two cultures that attempt to draw her into their own orbits. The protagonist’s mimicry of the target culture is an ironic one, since it consists of acceptance and rejection at the same time. In other words, while Tara Chatterjee mimics the norms and criteria of the target culture toward which she strives, she is influenced by her ancestral culture. The paper argues that such uncanny condition can be detrimental to the individual and plunge her into a deep identity crisis.
1. Applied Linguistics (Language Teaching and Learning)
Davud Kuhi
Abstract
Since its introduction to EAP theory in the 1980s, the concept of genre has proven to be a rigorous theoretical construct for a deeperunderstanding of the nature of academic discourse. However, the inherent potential of this concept as a means of classifying and categorizing academic texts has also given ...
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Since its introduction to EAP theory in the 1980s, the concept of genre has proven to be a rigorous theoretical construct for a deeperunderstanding of the nature of academic discourse. However, the inherent potential of this concept as a means of classifying and categorizing academic texts has also given rise to what we have called “the misconception of homogeneity”. Criticizing this misconception and drawing on the concept of hybridity/heterogeneity of scientific/academic genres, the present paper explores some of the major implications of this view for EAP research and pedagogy. It is argued that the recognition of the concept of hybridity of academic genres would result in redefining the corpus design issues, focusing on genre networks instead of single genres, trying further possibilities of triangulation, redefining the criteria for the selection of formal/functional properties in analytic projects and development of thicker explanatory frameworks. The paper also looks at possibilities of operationalizing this concept within what is called “a hybridity-sensitive EAP pedagogy” and suggests intertextuality/interdiscursivity tracing tasks and discursive conversion tasks as means of raising EAP learners awareness.
3. Applied Literature
Ahad Mehrvand; Shiva Talebi Ashtiyani
Abstract
Conrad’s acclaimed works from his middle period have been thoroughly studied from several perspectives including postcolonialism whereas the novels from his early period were overlooked due to their so-called“uneven” quality. The most notable works among Conrad’s early novels ...
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Conrad’s acclaimed works from his middle period have been thoroughly studied from several perspectives including postcolonialism whereas the novels from his early period were overlooked due to their so-called“uneven” quality. The most notable works among Conrad’s early novels are hisLingard Trilogy- three of his early novels which are based on the recurring presence of the Captain Tom Lingard, the protagonist, and therelationship between Westerners and non-Westerners in a contact zone where both cultures meet. A postcolonial study of these novels can reveal Conrad’s attempt to change the binary logic of his time which put the West in a position of power. Postcolonial elements in this trilogy can be studied by using Homi Bhabha’s theories of stereotype, ambivalence, mimicry, hybridity, and othering to substantiate our claim that in Lingard Trilogy, Conrad’s discourse was anti-racist and against the imperial logic of the nineteenth century, since he tried to change it in the Trilogy.
1. Applied Linguistics (Language Teaching and Learning)
Davud Kuhi
Abstract
In light of a large number of admirable attempts which look at scientific discourse from social, dialogic and interpersonal points of view, the propositions which consider scientific discourse as an interactive endeavor are now well-established. By the force of our social constructivist gyrations, we ...
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In light of a large number of admirable attempts which look at scientific discourse from social, dialogic and interpersonal points of view, the propositions which consider scientific discourse as an interactive endeavor are now well-established. By the force of our social constructivist gyrations, we have developed glimpses of a social, cultural and historical dimension in which the discourse of science operates. These glimpses indicate us how much the discourse of science is part of complex webs of human’s social interaction. Recognizing this social, cultural and historical nature, the present paper attempts to highlight the heterogeneity and hybridity of scientific discourse and indicate a number of ways scientific discourse is influenced by non-scientific discourses. Recognition of this hybridity helps the author develop a preliminary framework based on the concept of vertical intertextuality and reveal how modern scientific discourses borrow generic, stylistic and rhetorical conventions of non-scientific discourses. The paper is concluded with some of the implications of the developed perspective for ESP pedagogy and suggesting a number of genre-related, style-related and register-related pedagogic tasks.