3. Applied Literature
Saeid Rahimipour; Mohammad Reza Khodadust
Abstract
Literary works have been interpreted differently depending on the interpreter’s mindset and outlook. This study has launched an attempt to interpret the representation of the “Mocking Bird” in To Kill a Mocking Bird. Initially, a total number of 30 English majors studying at Farhangian ...
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Literary works have been interpreted differently depending on the interpreter’s mindset and outlook. This study has launched an attempt to interpret the representation of the “Mocking Bird” in To Kill a Mocking Bird. Initially, a total number of 30 English majors studying at Farhangian University of Ilam were selected through convenience sampling. They were, then, provided with the PDF version of the novel, and after a few weeks’ interval of reading time, the participants were exposed to the filmed version of the story. Thereafter, using Reader Response Theory, they were asked to write their comments, impressions, and views of whom, which, or what the “mocking bird” of the novel may be. The qualitative/quantitative content analysis of their writings revealed some fascinating interpretations regarding the representation of the “Mocking Bird’s” paragons in the novel. The final part of the paper discusses the findings and their implications which revealed fascinating information in this regard.
3. Applied Literature
Nasser Dasht Peyma
Abstract
AbstractThe study of drama is one of the most interesting, thought- provoking and pleasing experiences in the field of English literature, but it seems there are some reasons why it may not look like to be so for some of the students of drama in the context of Iranian universities. It seems, first of ...
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AbstractThe study of drama is one of the most interesting, thought- provoking and pleasing experiences in the field of English literature, but it seems there are some reasons why it may not look like to be so for some of the students of drama in the context of Iranian universities. It seems, first of all, there are some plays which appear baffling when students read them for the first time; secondly, some of expert university teachers follow their fixed sanctified method of drama teaching when they encounter so dissimilar plays. This paper explores innovative and resourceful teaching methods for teaching of drama in the context of Iranian universities. The purpose of this paper is to provide drama teachers with ideas and suggestions for responding to any classic, modern, and postmodern plays that they might encounter as part of the course at university. The present research paper gains significance as the findings may shed more light on groundbreaking and ingenious teaching methods for teaching of drama in the context of Iranian universities. Keywords: drama, drama teaching, ancient Greek drama, medieval drama, Elizabethan and Jacobean drama, modern and postmodern drama
