Document Type : Research Article

Author

Assistant Professor of English Literature, Department of English Language and Literature, Tabriz Branch, Islamic Azad University, Tabriz, Iran.

Abstract

Abstract
The study of drama is one of the most interesting, thought- provoking and pleasing experiences in the field of English literature, but it seems there are some reasons why it may not look like to be so for some of the students of drama in the context of Iranian universities. It seems, first of all, there are some plays which appear baffling when students read them for the first time; secondly, some of expert university teachers follow their fixed sanctified method of drama teaching when they encounter so dissimilar plays. This paper explores innovative and resourceful teaching methods for teaching of drama in the context of Iranian universities. The purpose of this paper is to provide drama teachers with ideas and suggestions for responding to any classic, modern, and postmodern plays that they might encounter as part of the course at university. The present research paper gains significance as the findings may shed more light on groundbreaking and ingenious teaching methods for teaching of drama in the context of Iranian universities.
Keywords: drama, drama teaching, ancient Greek drama, medieval drama, Elizabethan and Jacobean drama, modern and postmodern drama

Keywords

Main Subjects

Article Title [Persian]

روش های نو و پیشرو در تدریس نمایشنامه در دانشگاههای ایران

Abstract [Persian]

مطالعه ینمایشنامه یکی از جالب ترین و جذاب ترین تجربیات در زمینهی ادبیات انگلیسی است، اما به نظر می رسد دلایلی وجود دارد که بعضی از دانشجویان درس نمایشنامه  در دانشگاههای ایران چنین حسی را تجربه نمی کنند. به نظر می رسد، اول از همه، نمایشنامه هایی وجود دارند که وقتی دانشجویان برای اولین بار آنها را می خوانند غافلگیر می شوند؛ ثانیا، بعضی از اساتید صاحب نام دانشگاهی در مواجه با نمایش های متفاوتاز همان روشهای متداول، ثابت، و قدیمی خودشاندر آموزش نمایشنامه استفاده می کنند. هدف این مقاله بررسی و پیشنهاد روشهای نوین و مبتکرانه آموزش تدریسنمایشنامه در دانشگاههای ایرانست، تا روشی مناسب برایمواجه با هر گونه نمایشنامه های کلاسیک، مدرن، و پست مدرن داشته باشند. مقاله پژوهشی حاضر از این جنبه اهمیت دارد کهیافته هایش می توانند به تدریس مناسب تر نمایشنامه در دانشگاه های ایرانکمک نماید.

Keywords [Persian]

  • نمایشنامه
  • تئاتر
  • نمایشنامه یونان باستان
  • نمایشنامه قرون وسطایی
  • نمایشنامهدوران الیزابت
  • ونمایشنامه مدرن و پست مدرن
Barnet, S., Berman M., &Burto, W. (1993).Types of drama: Plays and essays(6thed.). New York, NY: Little, Brown.
Barnet, S., Burto, W., &Cain, W. E. (2008).An introduction to literature:Fiction, poetry, and drama. New York: Pearson Longman.
Bentley, E. (1957). The playwright as a thinker: A study of drama in modern times. Minnesota: University of Minnesota Press.
Books from The Annotated Shakespeare. Retrieved from https://yalebooks.yale.edu/series/the-annotated-shakespeare
Breyer, M. (1996).Ancient Greece. California: Teacher Created Resources.
Browne, R. B., &Kreiser, L. A. (2009).Popular culture values and the arts: Essays on elitism versus democratization. London: McFarland.
Cardinal, A. (1995). Shadow playwrights of Weimar: Berta Lask, IlseLangner, Marieluise
FleiberIn E. Woodrough (Ed.), Women in European theatre (pp. 65-74). Oxford: Intellect Books.
Dowdy, J. K.,& Kaplan, S. (2011). Teaching drama in the classroom. Rotterdam: Sense Publishers.
Emmerson, R., K. (Ed.) (1990). Approaches to Teaching Medieval English Drama.New York, NY: Modern Language Association of America.
Galens, D., &Hamilton, C. L. (2010).Drama for students: Presenting alalysis, context, and criticism on commonly studied dramas. Farmington Hills, Michigan: Cengage Gale.
Goldstein, L. (2004). The Origin of Medieval Drama. Madison: Fairleigh Dickinson University Press.
Grazia, M. D. (Ed.) (2001).The Cambridge Companion to Shakespeare. Cambridge: Cambridge University Press.
Herren G. (Ed.) (2016).Text &presentation, 2015.North Carolina: McFarland.
Jackson, R. (Ed.) (2007). The Cambridge companion to Shakespeare on Film. Cambridge: Cambridge University Press.
Jenkyns, R. (1992). The legacy of Rome: A new appraisal. Oxford:Oxford University Press.
Kuhi, D. (2013). Necessities of developing diverse cultural potentials in academic.The Journal of Applied Linguistics and Applied Literature: Dynamics and Advances, 1(1), 118-139.
Moore, T. J. (2012).Roman Theatre. Cambridge: Cambridge University Press.
Ramazani, A. (2016). Health humanities and applied literature [Review of the book Health humanities, by P. Crawford, et al]. Journal of Applied Linguistics and Applied Literature: Dynamics and Advances, 4(1), 125-31.
Shakespeare, W. (1597).Romeo and Juliet.In S. Wells & G. Taylor (Eds.) (1998).The Oxford Shakespeare: The Complete Works. Oxford: Oxford University Press.
Sommerstein, A. H. (2002).Greek drama and dramatists.London: Routledge.
Styan, J. L. (1981).Modern drama in theory and practice: Volume 1, realism and naturalism.Cambridge: Cambridge University Press.
Watt, S. (1998). Postmodern/drama: Reading the contemporary stage. Michigan: University of Michigan Press.
Wiggins, M. (2000).Shakespeare and the drama of his time. Oxford: Oxford University Press.