Bajomée, D. (1989). Durasou la douleur. Paris: Boeck-Wesmael.
Barbéris, D. (1992). Moderato Cantabile / L’Amant. Paris: Nathan.
Bishop, L. (1974). Classical structure and style in Moderato Cantabile.The French Review. Special Issue, Studies on the French Novel, 47(6), 219-234.
Champagne, R. A. (1975). An incantation of the Sirens: The structure of Moderato Cantabile. The French Review, 48(6), 981-989.
Cruickshank, R. (2013). Eating, drinking and re-thinking: MarguriteDuras’s Moderato Cantabile (1958). Forum for Modern Language Studies, 49(3), 300-312.
Duras, M. (1958).Moderato Cantabile. Paris: Minuit.
Duras, M. (1987).La vie Materielle: Marguerite Durasparle à JérômeBeaujour. Paris: P.O.L.
Duras, M. (2017).Moderato Cantabile (R. Seaver, Trans.). London: Calder Publications (Original work published 1958).
Foucault, M. (1977).Discipline and punish: The birth of the prison (A. Sheridan, Trans.). New York: Vintage Books (Original work published 1975).
Foucault, M. (1978).The history of sexuality: An introduction (Vol. 1) (R. Hurley, Trans.). New York: Pantheon Books (Original work published 1976).
Gorton, K. (2003). Critical scenes of desire: Marguerite Duras's Le ravissement de Loi V. Stein and Moderato cantabile. Dalhousie French Studies, 63, 100-119.
Günther, R. (1996). Alcoholism, melancholia and transgression: Marguerite Duras’ Moderato cantabile. Modern & Contemporary France, NS4 (2), 171-181.
Hill, L. (1993). Marguerite Duras: Apocalyptic desires. London and New York: Routledge.
Hirsch, M. (1982). Gender, reading, and desire in Moderato Cantabile. Twentieth Century Literature, 28(1), 69-85.
Mills, S. (2003). Michel Foucault. London and New York: Routledge.
Moskos, G. (1984). Women and fictions in Marguerite Duras’s ‘Moderato Cantabile.’Contemporary Literature, 25(1), 28-52.
Paternek, M. A. (1987). Norms and normalization: Michel Foucault’s overextended Panoptic machine. Human Studies, Foucault Memorial Issue, 10(1), 97-121.
Reid, J. H. (1994). The café Duras: Mourning descriptive space. French Forum, 19(1), 45-64. Rykner, A. (2000). ProlesPerdues. Paris: José Corti.
Schrambach, B. B. (2015). Telling makes it so: Memory, narrative, and identity in Moderato Cantabile. Journal of Language, Literature and Culture, 62(2), 89-99.
Young, M. (2008).Shifting perspectives: Innovative narrative tense usage in Marguerite Duras’s Moderato cantabile, Patrick Modiano’s Rue des Boutiques Obscures and Marie Darrieussecq’s Naissance des fantômes.Journal of Romance Studies, 8(2), 59–72.
Zepp, E. H. (2013). Language as ritual in Marguerite Duras’sModerato Cantabile.Symposium: A Quarterly Journal in Modern Literatures, 30(3), 236-259.