3. Applied Literature
Ehsan Khoshdel; Fatemeh AzizMohamadi; Mojgan Yarahmadi
Abstract
The aim of this essay is to provide a political reading of Dasein that might result into tragedy of Dasein in A Song of Ice and Fire. Politics can be regarded as an element to reach existence and Dasein. The phenomenological methodology that Heidegger introduces rejects all the history of western philosophical ...
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The aim of this essay is to provide a political reading of Dasein that might result into tragedy of Dasein in A Song of Ice and Fire. Politics can be regarded as an element to reach existence and Dasein. The phenomenological methodology that Heidegger introduces rejects all the history of western philosophical tradition. Heidegger believes that the metaphysical thinking that has dominated western philosophy since Plato to Nietzsche is insufficient for the study of being. The western history is depicted in the story of A Song of Fire and Ice. Applying these assumptions to the context of Westeros, it becomes clear that ruling and domination over is the only way to appoint the matter of existence. In a realm where every lord and lady nurtures his or her own dream of sitting on the Iron Throne, the nation’s notion of unity and democracy degenerates into a sort of oligarchic dogma that treats the lives of ordinary people as dispensable means to the ultimate end: total power. In such a state, an idealistic politician would find little to no room for advocating purely positive values like equality or justice. Indeed, as he often finds out soon enough, the profits of the elite often rely directly on the losses of the public.
3. Applied Literature
Amin Khanbazian; Hossein Sabouri
Abstract
As one of the outstanding works written in the late twentieth century, Paul Auster’sMoon Palace is the extension of the prominent discussion existing in his works,which concerns the issue of identity formation and the characters’ involvement in the expedition toward self-acknowledgment. Looking ...
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As one of the outstanding works written in the late twentieth century, Paul Auster’sMoon Palace is the extension of the prominent discussion existing in his works,which concerns the issue of identity formation and the characters’ involvement in the expedition toward self-acknowledgment. Looking through the life of Marco Fogg as the main character of the novel, it has been desired to outline the existential points of view laid in the novel. Unlike the previously conducted studies, this paper is diverting the central focus of its analysis from the psychosocial perspectives introduced by James Marcia to the existential outlook by providing the notions of critical existential philosophers such as Heidegger and Sartre. Accordingly, the famous theory of identity formation that Marcia established has close parallels with the concepts that Heidegger and Sartre have discussed concerning the human beings who are considered beings-in-the-world, or, as it is called, “dasein.” Throughout this procedure, the main protagonist’s various identity formation phases have been investigated through existential concepts like “thrownness,” “nothingness,” and “bad faith.” And in the end, the outcome of such an analysis is tracking down the latent sides of existential concepts existing in the novel, which have not been the center of focus in previous studies.